Herbal Medicine, Score, Experimental Music
Original version
Dimensions variable
Commissioned by Ting Shuo Hear Say
Courtesy of the artist
The dragon submerges into turbulent waves to ease troubled waters. The dragon as cinnamon twigs, as ephedra, as peony root, as dried ginger, as asarum, schizandra, penillia and a dash of honey-fried licorice. An aromatic recipe that is at the same time mythological, medicinal, and revealing of a cosmological order, and in this world, a performative score is vivid, ambiguous yet tangible, constantly changing, guided by a calculation of botanical powers, a dynamic design to restore estranged morality, to qualm an emotional flooding in the lungs, to shudder the sorrow that sprouts in stagnated waters, to keep dexterity and flow and mobility of life. A view of the body, in which forms are implicitly inferred to by relationships, resonates with a specific kind of expanded listening first introduced to me by a Chinese medicine shop owner, who offers poetry as his preferred form of remedy after intuited reading of one’s emotional and physical body. A key term here is wen (聞), a rather open sensory concept that is fundamental in traditional clinical practices—to smell, to hear, to intuit, to catch wind of. Little dragon soup is an exercise of abstract scoring, sound, and kinetics that speak to the body as a micro-universe.
Installation View of Little Dragon Soup. ©Sheryl Cheung, Courtesy the Artist.
Installation View of Little Dragon Soup. ©Sheryl Cheung, Courtesy the Artist.
Performance documentation from Little Dragon Soup. ©Sheryl Cheung, Courtesy the Artist.